When I was six, my family lived in Australia for a time. I quickly discovered that the word bloody was considered a very bad word by all my Aussie friends. If they were caught saying it, they might well get their mouths washed out with soap.
I, on the other hand, could say the word with impunity. And I did at every opportunity. But as for the substantial number of words my parents considered mouth-washing eligible, those I didn’t use until well into adulthood.
This experience showed me that response to specific words is mostly a matter of social conditioning. Which means all of society has had a role in creating the present pervasive use of one particular word to express everything from outrage and anger to surprise and indifference. The word has become so ubiquitous, although it’s still bleeped in the U.S. by the FCC, it has lost most of its shock value, even for those of us raised to consider it shocking.
Overuse has not removed all of its power, however. It still retains enough to contribute, in my opinion, to an erosion of civility and the elevation of vulgarity. It is, most definitely, not a romantic word.
So as a writer of romantic fiction, it is a word I use only when that specificity is absolutely essential to my story.
How do you feel about it? As a reader, what is your reaction to “the word” coming from the mouth of the hero or heroine.
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After years in academia, teaching and directing clinical chemistry laboratories, I took a turn down another road and began writing fiction. My first novel, Dreams for Stones was published by Samhain on Christmas Day 2007. The sequel, Persistence of Dreams followed in 2009. Visit me at www.AnnWarner.net.
Where short story free reads are available:
OZ- Glenda Lewelling has just been introduced to Geoff Flemington, one of the most appealing men she's ever met. The only problem? Glenda lives in Chicago, and in two days, Geoff will be on his way home to Australia.
COLOSSUS COMMUNICATION - A perfect marriage, a yellow rose, and a gorilla.



